Use an eguitar sound, im sure the DAW you'll use will have a preset of some kind in one of the Synthesizers in them, or just use a simple subbass. The next time you could try to cut the audio in interesting ways and rearrange them simply by trying and maybe you get a cool rhythm.Īfter that you could try to cancel out the low end of the sample with an Equalizer (for convienence's sake anything below around 120 Hz) and write a bassline for it. You can find free sample packs online for that matter. Now there's a thousand ways on what to do next, but for your sake im gonna keep it very simple: Drag a bunch of House Loops in there, Sidechain the sample to the kick, and call it a day for your first track. Then i drag my sample into my Digital Audio Workstation (aka DAW), FL Studio (there's for example also Garage Band which is free, but very basic), and ajust the sample's BPM (usually make it faster). Then i put my sample into Serato DJ Lite (which is free) to get the BPM and Key of the Song. (If you wanna know how to get HQ samples DM me). Here's how i would go about making a future funk track:įind my sample i wanna use and find it in high quality, it might be a City Pop song i just randomly listened to or an disco track that could use a stronger EDM groove. The songs differ from just taking a song, speeding it up and putting house loops under it to taking a 4bar loop and writing own melodies, bass lines, chords and cutting it up in a groovy way. If you enjoy certain presets, you can use them as a starting point and tweak them along the way.An example of your favourite Future funk song might already help point in a better direction. That way, you can test them on your vocal and find out which textures work for you. We encourage you to create FL Studio mixer presets as you go. We also want the vocal to support and supplement the mix by becoming one with the identity of the track and colour of the mix. What works for one might not work for another.Įarlier, we described how we want the mix to adapt to the vocal. Treat every recording as its own unique identity. The microphone, the rapper’s performance, their distance from the mic, and background static – these factors can lead to varied recording results. FL flowĪn enormous part of processing your vocals is understanding what type of recording you’re dealing with. If you’re in a phone booth, follow the rules of the space, and try to keep competing frequencies apart. If your mix already boasts booming mids and you want to stick in a rap vocal, the result might be the sonic equivalent of jamming two angry UFC fighters in a phone booth. Naturally, then, we don’t want this range to be pressured in the instrumental. This average range is very active in the mids and high-mids. Yes, every voice is different but, for the sake of practicality, we can draw some averages here. Though not an instrument per se, the human voice has a range just like any other instrument. This space-awareness concept flows nicely into the next essential step that needs to be addressed: the human voice. So if you’re having a hard time figuring out how to blend your rap vocals, zoom out and consider the overall picture: are there are too many voices that want to speak up? Bear in mind too that rap vocals are perhaps the most active leads you can have in a mix, due to the nature of rap itself.Īdd in the fact that rap vocals don’t simply impart rhythm and sound to the listener but also words that need to stand out, be processed and understood, and you’ll understand that rap vocals need to be granted considerable room in the mix. This may mean artistic sacrifices need to be made in order to get everything clear and just-so. Most of the time, though, you’ll want to treat your rap vocals as the lead elements of your mix. Rap vocals are not an instrument, nor are they sung vocals. In this tutorial, we’re diving into the crafty art of mixing and blending rap vocals in FL Studio by carefully guiding you through some of the most essential steps to steer your raps right. Sometimes, as a producer or audio engineer, you can encounter mixes that prove fascinating simply by virtue of how the audio sits and blesses your ear. Problems are posed right from the recording stage all the way through to the implementation of rap vocals into the stew of your mix. Mixing vocals is an intricate and often delicate art.
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